Theatre review: The Fellowship

Roy Williams, whose Death of England trilogy inadvertently ended up bookending the Covid lockdowns, now turns his hand to a traditional intergenerational family drama at he continues to explore the tensions and contradictions of the children of the Windrush generation. The Fellowship, set in 2019, makes explicit reference to that generation, in the unseen 91-year-old mother of Dawn (Cherrelle Skeete.) She moved into her younger daughter's house when her health started to fail terminally - it's implied if never explicitly stated that her deterioration really began with the Home Office scandal that she got caught up in. Dawn's feelings about a mother who was physically and emotionally abusive are complicated at best, but she's still taken on most of her care compared to older sister Marcia (Suzette Llewellyn,) a barrister and one of a tiny minority of black QCs, whose career has always taken precedence.

Theatre review: Velocity

If you enjoy feeling baffled, London's theatres are really catering to your interests at the moment. Daniel Macdonald's Velocity takes the alternate slot at the Finborough with a gleefully surreal story of a teenage girl who longs for a bit more of what she imagines a "normal" family life to be, and tries to use science to make it happen. Dot (Rosie Day) is 15, and for her Physics project she'll be experimenting with Newtonian theories by blowing her father up and out of his 73rd floor office. The six seconds it takes him to fall to the ground are slowed down to last the whole of her presentation, so before Michael (Nicholas Cass-Beggs) goes splat we get to meet him and his TV presenter wife Laura (Helene Wilson) and see what Dot sees, as they prioritise their work over her and over each other.