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Showing posts with label Tom Hanson. Show all posts
Showing posts with label Tom Hanson. Show all posts

Saturday, 23 December 2017

Theatre review: Misalliance

Paul Miller's seasonal offering is what has become his personal trademark at the Orange Tree, another lesser-known play by one of the best-loved late 19th or early 20th century playwrights. It's Bernard Shaw's turn again, with Misalliance a fairly straightforward attempt at a knockabout comedy, although one with a message that would have still ruffled a few feathers in 1909. Tarleton (Pip Donaghy) is a self-made man who made a fortune with his brand of hard-wearing underwear. He sent his children to the most expensive schools so that they wouldn't mingle with the aristocracy (they're always asking for loans they never pay back) but somehow his daughter Hypatia (Marli Siu) has still got engaged to Bentley (Rhys Isaac-Jones,) youngest and oddest son of Lord Summerhays (Simon Shepherd.)

Thursday, 26 May 2016

Theatre review: Romeo and Juliet (Kenneth Branagh Company at the Garrick Theatre)

The SirKenBranCo season at the Garrick has put two of my least favourite Shakespeare plays at the centre of its programming, and where The Winter's Tale at least had Dame Judi bringing attention to one of the unsung standout roles in that play, a couple of good turns don't stop Romeo and Juliet from being every bit as much of a chore as I usually dread (and am occasionally pleasantly surprised, but not often.) This time SirKenBran doesn't take to the stage himself, sharing directing duties with Rob Ashford for the story of two wealthy Verona families who've been at war for generations, for reasons long-forgotten. Romeo Montague (Richard Madden) sneaks into a party held by the rival Capulets in hopes of bumping into Rosaline, the girl he fancies, but forgets her as soon as he spots Juliet (Lily James.)

Thursday, 15 October 2015

Theatre review: French Without Tears

The Rattigan revival remains in such full swing it seems insane he vanished from the stage for so long. And given how well plays like French Without Tears hold up, it feels downright criminal. The playwright has a knack for understated heartbreak but while there's glimpses of that here, we're mainly in full-on, mischievous comic mode. The setting is the rural French home of Professor Maingot (David Whitworth,) where young Englishmen - usually those hoping to become diplomats - can spend a few months learning the language from him and his daughter. Kenneth (Patrick McNamee,) nicknamed Babe as he's the youngest, has brought along his sister, and she's caused a stir among the other students. As the story begins she's swearing love to Kit (Joe Eyre,) but when Bill (William Belchambers,) a Navy Commander joins their class, he catches her eye too.